On the first page of The Right to Look, Nicholas Mirzoeff claims that “the right to look is the right to the real”– in other words, looking and being looked at in such a way that the autonomy of both parties is emphasized, and their existence is mutually acknowledged. In explicit dialogue with Frederic Jameson’s… Continue reading Nicholas Mirzoeff, The Right to Look
Tag: barthes
Tobin Siebers, Disability Aesthetics
In Disability Aesthetics, Siebers defines aesthetics as what bodies feel in the presence of other bodies. Works of art that engage with bodies, especially in regard to modern art, are also engaging with disability. Not only is disability representation a factor in art, it has only grown stronger over time. While we tend to subscribe… Continue reading Tobin Siebers, Disability Aesthetics
WJT Mitchell, Picture Theory
Mitchell argues that we are experiencing a “pictoral turn” which is actually a return to pictures as an interplay between people, institutions, and looking. It is the realization that spectatorship is as important as reading, and that images are not subservient to text. He believes that the best way to combat growing surveillance and propaganda… Continue reading WJT Mitchell, Picture Theory
Barthes, Camera Lucida
I finished reading Camera Lucida this morning later than I meant to, because I got distracted by reading this article in Esquire by Jeff Sharlet titled “All That We’ve Lost”. Sharlet has spent this year tweeting about people who have died from COVID-19, mini-obituaries. One of them struck me in particular; a daughter speaking about… Continue reading Barthes, Camera Lucida
Susan Sontag, On Photography
Sontag’s essays on photography revolve around the question of what photography is, and what it does. While photographs seems like reality, they are actually more like paintings: they don’t reflect reality, they reflect the “real”, or the interpretation of reality that their photographer has shaped and captured. Unlike other forms of art, photos are only… Continue reading Susan Sontag, On Photography
Discorrelated Images by Shane Denson
This book was my first (purposeful) departure into cinema studies since reading Lynda Nead in undergrad. It is also a book about new media (useful for my other work as a freelancer writing about new media), and about the affective and aesthetic potential of invisibilized technology. Its central focus is how the move from cinema… Continue reading Discorrelated Images by Shane Denson
